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With the EQ at the end, we can add final touches where we dial in whichever frequencies we want to highlight or deemphasize. By addressing the change in dynamics first, we can send the most consistent signal in terms of volume to the EQ. Staging the compressor before the EQ can help you tighten up that amplified signal first, ensuring that you manage any variance in volume and tonality as close to the source as possible. One of the hallmarks of this different approach is that the vocal volume is very consistent, parts of the vocal performance do not vary greatly in terms of vocal register, and the accompanying instruments occupy more sonic space and a wider range of frequencies. This is a style of vocal recording that has been used by Rihanna, Katy Perry, Pink, and Kelly Clarkson. Some recordings require a more balanced performance in terms of volume, tone, and sometimes even frequency (EQ). Now let’s take the example of a female vocalist that has a different recording style and approach. Experiment with different tonal palettes like American voiced mic preamps vs. Even “clean” analog mic pres allow you to get more character out of your microphone that you might be missing out on from plugging directly into an audio interface. A mic pre can help deliver a richer, more intentional character to your recordings. Some genres like alternative rock and folk demand more warmth and “darker” tones, where pop and modern country might require a “cleaner” sound with more headroom. You can choose a mic pre based on the type of sound you're trying to achieve.
Signal path professional#
Analog mic preamps intended for professional audio recording are often built to impart a little tonal character on the signal. The ultimate benefit of a mic preamp is increased character and/or tone. If you’ve ever turned up the gain on your interface just to hear a hiss or other unwanted noise, you have experienced this issue.
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It’s important to recognize that although some professional audio interfaces today can push 60db of gain, there will likely be audible noise in the signal. This is common even on expensive interfaces, as most units are unable to deliver more than 60db of gain. It’s important to note that audio interface mic preamps do raise the gain to a proper operating output, they are often unable to deliver enough gain without creating audible unwanted noise.